In & Out 1997, directed by Frank Oz and written by Paul Rudnick, is a Hollywood romantic comedy that blends satire with heartfelt storytelling. The film follows Howard Brackett (Kevin Kline), a beloved English teacher in a small Indiana town. His life seems perfect: he is engaged to fellow teacher Emily Montgomery (Joan Cusack) and admired by his students. However, everything changes when a former student, now a famous actor, thanks Howard at the Academy Awards by publicly calling him gay.
From the outset, In & Out 1997 emphasizes the tension between identity and perception. Howard insists he is straight, yet the town erupts in gossip, his fiancée questions their future, and his career faces scrutiny. Meanwhile, the arrival of openly gay reporter Peter Malloy (Tom Selleck) intensifies Howard’s journey of self‑discovery.
Furthermore, Oz’s direction balances screwball comedy with social commentary. Scenes such as Howard’s attempt to “prove” his masculinity through a self‑help tape are both hilarious and poignant. Consequently, the film critiques stereotypes while celebrating individuality.
In addition, In & Out 1997 situates its narrative within the cultural climate of the late 1990s, when mainstream cinema rarely addressed LGBTQ+ themes. By presenting Howard’s struggle with humor and warmth, the film made queer identity accessible to wider audiences. At the same time, Joan Cusack’s performance as Emily earned her an Academy Award nomination, highlighting the emotional impact of Howard’s revelation on those around him.
Thematically, the film explores identity, acceptance, and the absurdity of stereotypes. Its portrayal of queer intimacy and community support recalls works like The Birdcage (1996), which similarly used comedy to challenge prejudice, and Love! Valour! Compassion! (1997), which blended humor with queer representation.
Ultimately, In & Out 1997 is more than a romantic comedy—it is a meditation on authenticity and the courage to embrace oneself. Because Oz and Rudnick intertwine satire with sincerity, the film resonates with audiences seeking both laughter and meaning. For queer viewers and cinephiles, it remains a landmark of mainstream LGBTQ+ cinema, blending comedy, romance, and social critique.
👉 External reference: In & Out (1997) on IMDb
